Memorial Day Weekend Sees Trend in Lackluster Films

Memorial Day weekend typically kicks off the release of the summer blockbuster film and this weekend is no exception. “Baywatch” and “Pirates of The Caribbean 5” face off for the top spot at the box office this weekend but they’re both getting terrible reviews.

Paramount’s “Baywatch”, which stars Dwayne Johnson and Zac Efron, currently has a 19% on Rotten Tomatoes while Disney’s “Pirates of the Caribbean: Dead Men Tell No Tale” currently holds a 30%. To qualify as a good film, movies have to rate at a 60% or higher.

This might seem like an unfortunate coincidence that two big films released on the same weekend could both be bad. Audiences might give “Guardians of the Galaxy 2” another shot for number one, but “Baywatch” already has a leg up over the competition with its $1.25 million earned from its Wednesday night opening.

However, it seems like movies released on Memorial Day weekend have always been bad. According to, the top 10 Memorial Day weekend film releases with the highest opening grosses have been bad movies with the exception of three. “X-Men: Days of Future Past” holds a 91 percent rating on Rotten Tomatoes, “Fast & Furious 6” has a 69% rating, and the unspeakable “Indiana Jones and The Kingdom of the Crystal Skull” has a 77% for some reason.

The films with the bad reviews include “X-Men: The Last Stand”, “The Hangover Part II”, “The Lost World: Jurassic Park”, “The Day After Tomorrow”, “Bruce Almighty”, and “X-Men: Apocalypse”. Coincidentally, 2007’s “Pirates of the Caribbean: At World’s End” holds the top spot for highest opening gross on Memorial Day weekend with over $139 million and it has a 45% rating. It finished with $309,404,152 at the end of its run.

So, why are Memorial Day weekend releases bad? Whether the film gets rushed, a screenplay gets butchered, or direction gets misguided, it’s safe to say that we don’t stop going to see these movies. We can only hope that the rest of the 2017 summer lineup is better.

Until then, what movies are you watching this weekend? Let me know in the comments.


Oscars 2017: Who Should Win the Writing Categories?

Last Sunday, the Writers Guild of America announced the winners of the 69th Annual WGA Awards. Although based on an unproduced play, Moonlight was placed in the Original Screenplay category and beat out Hell or High Water, La La Land, Loving, and Manchester By The Sea. For Adapted Screenplay, my favorite movie of the year, Arrival, took home the prize over Deadpool, Fences, Hidden Figures, and Nocturnal Animals. These are all worthy films to be honored for their writing, but the Academy chose to shake up the writing categories a bit. For the 89th Academy Awards, Moonlight was placed in the Best Adapted Screenplay category this time and will battle Arrival on Sunday. Here’s who I’m rooting for.

For Best Adapted Screenplay, the Academy nominated Arrival, Fences, Hidden Figures, Lion, and Moonlight.

This list is comprised of better, stronger screenplays and is the tighter race. Arrival won the Critics’ Choice Award for Best Adapted Screenplay but was left off the list of nominees at the Golden Globes. Eric Heisserer, mostly known for horror films, created a new language for the film. That alone deserves an Oscar! In what is arguably the biggest twist in 2016 cinema, the story examines how we fear and hate what we don’t understand. By the end of this topical tale about language, you’ll find yourself questioning the decisions you make in life. Since Moonlight is considered an adapted screenplay now, it now battles Arrival for the win. It’s quite good but not as smart as Arrival. I appreciate seeing homosexuality addressed in an environment where it is not accepted, but we’ve seen this before in Brokeback Mountain. The other contenders in this race are strong aside from Fences, which I find to be a close copycat to the play of the same name.

Who Should Win: ARRIVAL (Eric Heisserer)

Honorable Mention: MOONLIGHT (Barry Jenkins)

For Best Original Screenplay, the Academy nominated Hell or High Water, La La Land, The Lobster, Manchester by the Sea, and 20th Century Women. 

Damien Chazelle (La La Land) tied with Kenneth Lonergan (Manchester By The Sea) for Best Original Screenplay at the Critics’ Choice Awards, but he took the sole screenplay prize at the Golden Globes. Although I praise Chazelle for creating a beautiful film, La La Land is not as great as Chazelle’s previous film, Whiplash.  It’s built so much momentum from its previous accolades that it’s the front runner to win Best Picture, but only two of those original songs are great and, although it doesn’t end happily, I didn’t leave the theater as sad as I left Moulin Rouge! or as satisfied like I did with Chicago. Manchester By The Sea has a simple plot, but is driven by strong characters. The writing is wonderful and is expressed in much of the dialogue and visible in the character arcs. The script takes the lead character (Casey Affleck) and drags him through his journey as he takes on the role of the guardian of his nephew. Best Supporting Actor nominee Lucas Hedges even deserves the Oscar over front runner Mahershala Ali (Moonlight).

Who Should Win: MANCHESTER BY THE SEA (Kenneth Lonergan)

Honorable Mention: HELL OR HIGH WATER (Taylor Sheridan)

Who would you like to see win in these categories?

5 Broken Heart Films to Watch on Valentine’s Day


What is there to say about the romantic comedy besides the fact that it is not my favorite genre. If you ask me out to see a movie, chances are I’m choosing to watch something scary. I have a great deal of appreciation for horror films and what real-life horrors they represent. I also like Oscar-bait films, sci-fi, musicals, and many more. It just takes more than a love story to grasp my attention. When movies (especially romance films) end unhappily, I leave the theater with something more to say. Since I end up enjoying those films more, feel free to read on and view a list of my romance films that leave you with a broken heart at the end.

Titanic (1997): Now viewed as a corny guilty-pleasure, upon its release James Cameron’s Titanic was Hollywood’s biggest blockbuster and referred to as “flawlessly crafted” by film critic Roger Ebert. Deserving of all its accolades, the film teaches us that love is not defined by social class, or anything else for that matter.

Eternal Sunshine of The Spotless Mind (2004): I must love me some Kate Winslet because here’s another film with her in it. The screenplay is beautifully written by Charlie Kaufman (Adaptation) and demonstrates what happens if we were able to erase the memories of the past. After all, it is better to have loved and lost than never to have loved at all.

Edward Scissorhands (1990): Following the success of Batman, Tim Burton combined Universal classic monsters, fairy tales, and German Expressionism to create the story and character of Edward. Burton showed that not all fairy tales end happily, albeit the main theme of the film dealt with self-acceptance and tolerance.

Brokeback Mountain (2005): Brokeback is acknowledged as being the vehicle for gay cinema into the mainstream. The sexuality of the characters is controversially debatable, however the film finds two men falling in love with each other but separating and building unhappy heterosexual relationships with women. It was nominated for Best Picture at the Academy Awards in 2006 but lost to Crash.

Moulin Rouge (2001): Take Romeo + Juliet (1996) and add song and dance. It is visually stunning and is energized by the dozens of love songs used as musical numbers. Director Baz Luhrmann creates arguably the most entertaining musical ever and ends it like a Greek tragedy.

Yes, I’ve left a lot of films off of this list and some good ones, too. Comment below and tell me some of your favorite broken heart films.

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